In her aspiring career, beginning at age 16, Lindsey Herbert has continued to drift towards the trippier realms of techno, constantly honing her craft as a DJ and getting involved with the thriving scene in San Francisco. Fast-forward to 2022 and Lindsey has truly become a recognized name in her city and beyond, in large part thanks to her unique signature sets— true journeys that explore alternating soundscapes laced together by dark, deep and heavy textures, as well psychedelic elements and ethereal melodies; and now her ever-growing list of original productions as well. With tour dates that have brought her to international venues playing beside top name DJs, she is an artist to watch. Lindsey’s hard work over the years has paid off, gaining her residencies with San Francisco’s former Robot Ears for six years where she eventually took over and handled all bookings, and more recently becoming the newest member of Direct to Earth in SF, as well as earning a spot on the roster of Berlin-based agency, Point Collective back in 2016. She has played coveted gigs in Detroit, Chicago, Athens, Istanbul, Mexico City and throughout Germany, as well as her debut in the legendary Tresor Berlin, Immersion Festival in Medellín Gate Club in Batumi, Georgia, to name a few. Lindsey’s passion for sound doesn’t just stop at DJing either. For years she studied audio engineering at San Francisco State and double majored with a focus in audio, having studied mixing / recording of bands with reel-to-reel tape and working in a studio environment, music production, as well as foley and sound design for film. Additionally, she was nominated and the only person in her major awarded for excellent leadership in the field of audio at SF State during her final semester there. After graduating from university, Lindsey began to work at 3 different venues in San Francisco (1015 Folsom, F8 + El Rio), doing live sound for all kinds of shows from all genres of bands to DJs, to other live events. Lindsey’s debut in the production realm was in September 2018 with a remix of Martyn Päsch’s track ‘Sacred’ on KVLTÖ Records. Her debut solo EP was released in 2019 on LA-based label Ascetic Limited with a remix from Motionen. Her latest releases came out between late 2020-present and consisted of her single ‘Lucid’ on NECHTO Records, ‘Dark Matter’ on Planet X, ‘Atom Cluster’ on Suara, ‘EXOPLANET’ on Immaterial.Archives, ‘Cosmic Interference’ on Crisis of Man, ‘After Hours’ on Krill Music, ‘Falling Into a Wormhole’ on CommonSense Records, ‘Vertigo’ on Rave Code, ‘Until We Meet Again’ + a remix of Gabriella Vergilov’s ‘The Love Anthem’ on Chicago’s Northern Parallels, a remix of Rhombic’s ‘Objection II’ on Árido Records, BRÄLLE's 'Feathers for Bones' on Märked Amsterdam, a remix of Motion Symmetry’s ‘Aquarius’ on No Way Records + a remix of Kota Kira’s ‘Candlelight’ on Re:Mission Entertainment. In 2021 Lindsey released her first track on vinyl, a remix of Nate Manic’s ‘You Will Not Ruin Me,’ and additionally she has her first solo vinyl EP on the way later on in 2022. Coming soon are singles on Blank Code, TMM Recordings, Granular Spectrum, plus remix of Joshua Calleja on Northern Parallels, a solo EP on Planet X , + much more!